Mexican filmmaker Alejandro González Iñárritu returns with a new film, Bard (or false chronicle of a handful of truths)seven years after the release of the reborn. With this acquisition, the American streaming platform is already positioned in the future race for the Oscars, which will undoubtedly face Apple once again.
Alejandro González Iñárritu, the acclaimed director of Babel, Biutiful Y 21 grams, I hadn’t made a feature film in seven years. bard (Or False Chronicle of a Handful of Truths), which takes up this same idea of the extended title in the style of Birdman (or The Unexpected Virtue of Ignorance), was filmed last year in Mexico City, marking the filmmaker’s return to his hometown more than twenty years later loves bitches (2000), his first feature film, which notably revealed Gael García Bernal to the general public.
A return to the basics that we can not stop reflecting Rome (2018) by Alfonso Cuarón, another great Mexican director who, after a series of great successes in Hollywood (Harry Potter, Children of Men, Gravity) also reinstalled his camera in Mexico City. The film, crowned the Golden Lion at the Venice Film Festival and also distributed by Netflix, notably won the Oscar for best director in 2019, but scooped the best picture award for Green Book.
Iñárritu, this ghost
The new feature film from the director of bird man, certainly less autobiographical than his compatriot’s film, but just as personal, will follow a Mexican journalist and documentary filmmaker who returns to Mexico to confront his past, his family, and the political reality of his native country. According to Scott Stuber, head of Netflix’s movie business, bard is a real cinematic experience. Iñárritu had notable support on the set from the eminent Franco-Iranian cinematographer Darius Khondji (Delicatessen, Se7en, The Lost City of Z). Consequently, we can already expect a particularly neat aesthetic, supported by the grain of the 65mm.
In 2015, the Mexican director won four Oscars for birdman, including Best Picture, Best Original Screenplay and Best Director. Then, on the roof of the world, Alejandro G. Iñárritu was probably not left out and will go so far as to achieve the feat of winning the Oscar for best director for the second year in a row, only John Ford (1941/42) and Joseph L. Mankiewicz (1950/51) had already achieved it, thanks to the reborn which will also offer Leonardo DiCaprio the first statuette of his career.
Netflix versus the rest of the world
The director, however, hasn’t always been kind to Netflix. Interviewed by Liberation in 2019 while presiding over the 72nd Cannes Film Festival, Iñárritu proclaimed his love for the big screen and underlined a certain opportunism on the platform: “ Netflix capitalizes on the lack of diversity (…) people do not have access to a large majority of movies in theaters, multiplexes are monopolized by superhero movies. Netflix takes advantage of this Nuanced comments a few days later in the New York Times, the director stating “ netflix support 100% and blaming instead the reticence of the studios, reluctant to put anything on the market other than towering blockbusters. Today, streaming services seem to have settled into this gap for good.
bardcurrently in post-production, it should be finished in the fall, just in time for its theatrical release (at least in the rest of the world, France being an exception thanks to, or because of, depending on the point). view – the media timeline), before a wider release on Netflix, to be eligible for Oscars in 2023. The streaming platform could have won the Oscar for best picture this year with the power of the dog by Jane Campion yes coda, distributed by Apple TV +, had not created the surprise by finally winning the bet. However, the duel could take place again next year between the two streaming giants, since Assassins of the Moonflower, The next Martin Scorsese movie with Leonardo DiCaprio and Robert de Niro produced by Apple should be released at the same time.